Le Musiciens de Saint-Julien

François Lazarevitch
flutes, bagpipes & direction

01.08.2023 – 21:00
Palazzo Gallone
Tricase (LECCE)

Beauté barbare

G.P. Telemann & popular music from eastern Europe

Suite of traditional Polish melodies

Pozic mamo roz (Kurpie region)

Światówka : wedding march

Suite of ancient dances and Moravian traditional song

Georg Philipp Telemann : Hanaskÿ (TWV 55:E1)

Georg Philipp Telemann : Rondeau Hanacoise (TWV 55:E2)

Dyž sem šla z kostela : Moravian traditional song

Georg Philipp Telemann ^(1681-1767)

Concerto in D M, TWV 51:D2 for flute, strings and basso continuo

Moderato – Allegro – Largo – Vivace

Suite of Dances from the Uhrovska Manuscript ^{(Slovakia, 1730)}

Hajdukujymy : traditional song from Zywiec region, Poland – Hungaricus

Georg Philipp Telemann: Suite of the manuscript of Rostock

Hanac – Hanac – Vitement – Braul Oltenesc (traditional melody from Romania)

Suite in E

Takú sem já galánečku dostal (traditional melody from Moravia)

Dances from the Uhrovska Manuscript: [untitled] – Olacs – [untitled] – [untitled] – [untitled]

Georg Philipp Telemann : Excerpts from suites for orchestra

Les moscovites (TWV 55:B5) – Les Janissaires (TWV 55:D17) – Mezzetin en Turc (TWV 55:B8)

Jean-Pierre Drouet ^(1935-)

Détour Autour (2016, Solo de zarb)

Nisko słonko (traditional song from Kurpie region, Poland)

Georg Philipp Telemann : Trio n°3 en si mineur TWV 42:H2

Allegro – Hora din caval (romanian traditional melody) – Adagio – Presto

Veselo Se Dzivce

(traditional song from Slovakia) – Adagio – Presto

Georg Philipp Telemann : Rotstock manuscript

Polonesie

Suite from the Uhrovska Manuscript

[untitled] – Hungaricus – Hungaricus – [untitled] – Olas

Les Musiciens de Saint-Julien

Inspired by the intimate conviction of their founder, flautist and pioneering researcher François Lazarevitch, Les Musiciens de Saint-Julien have been evolving since 2006 as free spirits on the paths of the Baroque, matching up oral and written sources.

Their shared affinities with traditional repertoires and musicians enriched their earliest projects and echoed a whole scholarly archipelago of early and Baroque music – the same inventive feeling for colours, the same energy springing from danced movement, the same poetic sensibility. Les Musiciens de Saint-Julien awaken slumbering musical collections – but not solely – in an approach both erudite and intuitive, rooted in folk practices and filtered through a demanding, virtuosic and passionate appropriation.

François Lazarevitch

Although his primary instrument is the flute, from the outset, François Lazarevitch has concentrated his apprenticeships, research and musical practices on the diversity of sources, oral and written, which he deems necessary for recreating the early and Baroque repertoires today. Backed, since 2006, by the companionship of his Musiciens de Saint-Julien, to whom he passes on his craving for going ever further in comprehension, his taste for the discovery of forgotten repertoires and experimental curiosity about all cultures, he takes a singular new look at a whole chapter of our musical history.

Music